| -Film Clips |
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Legend of Donkey Tail WIllie - clip |
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Under The Gun - clip |
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The First Time I Met the Finkelsteins - clip |
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Random Acts of Kindness -
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"The Legend of Donkey Tail Willie", made on "On The Lot" 2007. RT: 2:25
An unusual tale of love.
(Click on thumbnail to see poster.) |
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"Under The Gun", made on "On The Lot", 2007. RT: 2:04
Not your typical mother-daughter trip to the sperm bank.
(Click on thumbnail to see poster.) |
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"The First Time I Met the Finkelsteins", submission for "On The Lot", 2007. RT: 2:57
Meeting the soon-to-be in-laws was never more uncomfortable.
(Click on thumbnail to see poster.) |
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"Random Acts of Kindness",
made on "On The Lot" with Carolina Zorilla de San Martin and Brent McCorkle, 2007. RT: 2:24
Pamela tries to help the homeless. Maybe she should have just stayed home. |
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"The Staring Contest", Jan. 2007
RT: 2:30
Hilary’s first submission film made for “On the Lot”.
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"Bus #1 ", 2007, submission film made for "On The Lot". RT: 2:30

When you gotta go, you gotta go.
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"Sex Without Love: A Poetry Film with Sharon Olds", 1997. RT: 2:30
A film of Sharon Olds wonderful poem “Sex Without Love” |
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“Life’s Too Good”, 1993. RT: 1:40 Linda’s parents are in town for their granddaughter’s graduation when Linda gets a call from her mother in the middle of the night. This feature film Hilary wrote, directed, and produced when she was only 23 years old (1993). |
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“Weisman [Graham] has a good feel for how family members talk—and often don’t listen—to each other. A knowing take on family relationships.” --Daniel Kimmel, Variety, July 1994. |
“Weisman [Graham] emerges from semi-obscurity as a serious force in women’s filmmaking.” –Linda Matchan, The Boston Globe, 1/30/94. |
“The generation gap is alive and well in this drama which focuses on the relationships within a family.” -- Sandra Brennan, New York Times, Sept. 1994. |
| “While Hollywood flounders around trying to catch the pulse beat of the yet-to-be-adequately-labeled 20-something generation, independent filmmaker Hilary Weisman [Graham] quietly gets the job done for $60,000 in her debut feature, “Life’s Too Good”. Bolstered by a shrewd and witty script, a confident, no-frills style, and some disarming performances, it’s an auspicious beginning for a fresh new talent.” -- Peter Keough, The Boston Phoenix, June 1994. |
“Life’s Too Good” is a smarty-written and sweetly directed first feature film directed by a precocious Hilary Weisman [Graham], age 24.” Chicago Reader, Oct. 1994
Boston Magazine’s “The Face of ’94—80 People Who Made Us Proud, jealous, and Mad as Hell: Hilary Weisman [Graham]: Precocious Filmmaker” |
““Life’s Too Good” is a charming film by a precocious s 23 year-old. Hilary Weisman [Graham] writes fine dialogue, she has an ease with direction and a mature eye for casting.” --Gerarld Peary, The Improper Bostonian, July 1994. |
“The film showcases Weisman [Graham’s] knack or sharp dialogue and sardonic humor, which transcended the bare bones production values. -- Campus Calendar, March 1999. |
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